Showing posts with label goddess. Show all posts
Showing posts with label goddess. Show all posts

Saturday, May 3, 2014

Differences and Oneness

 May Day

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When God created everything, God said, "it is good." And God put God's own image in the creatures that walk on the earth. In the midst of the create there was a wonderful garden. It was God's garden. Everything was there, but everything was so close it was all together. God was with the rocks and plants and animals, and they were with God and each other.
All the people were also together in one person who was called "Everyone", or in their language, "Adam." Eve was there, too. She was always there, for she came from Adam. She and Adam were a kind of AdamEve.

In the middle of the garden grew two trees. God told AdamEve that they should not eat the fruit from those trees. One tree was about difference and one tree was about forever. If you ate the fruit of the tree of difference, you would know about differences, and if you ate from the forever tree, you would live forever.

Now the serpent was more clever than any other creature that the Lord God made. And he suggested that AdamEve taste the fruit from the tree of differences. And they did. AdamEve ate from the tree of differences and things fell apart for them. They became Adam and Eve. The difference between them and God also came apart. And the difference between good and evil did, too. 

God called for them and they hid, but God found them. They did not know how to be with God anymore, because of all the difference. There were: good and evil, close and far, high and low, God and people, Adam and Eve... and many more. 

The differences also did something wonderful. Now Adam and Eve could take things apart and put them back together again. They could be creators, almost like God. The couldn't make something out of nothing, but they could make something out of differences.

After the differences, Adam and Eve could not go back to when everything was all together in the Garden. They could only go forward and they did. God sent Adam and Eve out of the Garden. An agel and a sword was put at the edge of the Garden so they could not go back, but only go forward. God went with them on their journey to help them be the best creators they could be, and to be with God in a new way, and to stay one with God.


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This is the story of Genesis 2 as told in the Godly Play curriculum. My Quaker church uses this story based Sunday school curriculum because we know that sharing stories and talking about stories together is the best way to talk about god. The Godly Play stories are always followed by a set of wondering questions where those who heard the story can think together, out loud and silently, about what is important and meaningful in the story. Word fail us when we try to talk about god, but the pictures and metaphors in stories help us express what we know and what we are learning.

When our amazingly gifted story teller gave us this story at West Hills Friends last weekend, most of us brought with us baggage about this story. In the Bible as it is usually interpreted, this story is a story of bad news - deceit, falling from grace, being cast out of the garden, the pain of childbirth, original sin. In Christian theology Genesis 2 is usually seen as a set up for the redeeming nature of Christ's birth and an explanation for why life is so hard. It doesn't feel very redeeming. But interpreting the story just a little differently, as this version does, opens the story up in previously unthinkable ways. Like a flower in May, the story unfolds, revealing layer after layer of meaning to each visitor. 

This week, the layer I am seeing most clearly is the story of differences. They ate from the tree of differences and things fell apart. That line resonates with me right now. When things are different, when you are separated, when you see the differences between this and that, thou and I, now and then, things feel like they are falling apart. But the story has redemption! Out of the differences Adam and Eve learn to take things apart and put them back together, to create something out of the differences. 

As I sat in church, literally on the edge of my seat, and heard those words "create something out of differences" my very first thought was about literally making babies. We just wrapped up a unit on heredity in my 7th grade class and we talked a fair amount about how organisms that use sexual reproduction need one of each sex and the resulting offspring are similar but different from their parents in vital ways. Organisms that use asexual reproduction create offspring that are identical to their parents with genetic variation happening in different, possibly slower and less responsive ways. Without that core difference of biological sex, humans can not create the new thing that is babies. AdamEve were together and they were together with God, but they could not create new humans in that state. 

I also thought a lot about what state of mind AdamEve might have had in the garden, before the differences. There is a spectacular TED talk by brain researcher Jill Bolte Taylor recounting her experience of having a massive stroke. She says that when her left hemisphere, the side of our brain responsible for linear thought, categorizing, autobiographical memories and language (ya know, differences), went offline she was left in a state of timeless connection with the universe, of joy and love and energy. I wonder if this is what life was like in the garden for AdamEve. As Jill Bolte Taylor says, "in this moment we are perfect, we are whole, and we are beautiful." 

But being a whole, perfect and connected piece of the Universal Flow does not allow us to be creative. We just are. When she realized she was having a stroke and needed help, Jill Bolte Taylor could not effectively dial a phone or communicate her need. She was too busy feeling vast and limitless. Babies, in their sense of moment to moment pleasure, pain and wonder do not have the capacity to build or create. It is only when we step into the discreteness of ourselves, when we see the differences between Thou and I, between male and female, light and dark, good and evil, that we can make anything new in the world. 

My pagan theology holds at its center the sacredness of the ebb and flow of the differences in life. Lightness flows and ebbs into darkness, winter into summer, growth into decay and as these differences dance around each other life is created and sustained. In my creation story in the beginning there was One, one Goddess. She could do nothing but Be Goddess until she woke up and realized she was lonely. She, like AdamEve, tasted the fruit of difference, found her world lacking and went about the work of creating what she needed to be connected and happy.

Our job as humans is to dance the ebb and flow of differences. To know that sometimes we must feel differences, painful and separating as they may be, in order to know how to proceed in our creation of a better life. I continue to struggle with anxiety and dark emotions this spring as I work through realizations about my separateness and singularity in the world. The angel and the sword were placed at the entrance to the garden and we can not really go back, only forward. But the path forward also has room for us to dance back into that expansive, connected place of oneness with God and with each other. My walks in the woods this spring have left me more than one mouth agape at the sheer fecundity and beauty of nature. Flowers and leaves, flowing water and animals and compost. And I am a part of it! It is there in that place of connectedness that we can reclaim a memory of Eden and know what we are trying to create out of the differences. 

What differences are you dancing with this May Day?

What stories do you know or can think of that might explain how AdamEve lived in the garden?

What are you working on creating out of differences right now?

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May Day 2012: The Dauntless Youth of the Year


May Day 2010: Glory Days

May Day 2009:  May Day

Saturday, February 15, 2014

Psalm 23, Dedicated to My Mother

Full Fasting Moon

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"When have you encountered the Light through music?" 

For the first time all day I was alone. Not really alone, nurses bustled about down the hall and the whole hospital building buzzed with the hushed vibrating energy that was still new and uneasy to me. My sister had just left and I knew her leaving came with both relief and worry for her. This hospital was hard for her, but she had been my rock for hours.

For the last time in a week I was all alone. The pain hadn't become tear wrenchingly unbearable yet. The nurses faces still shined with optimism and hope. But as I was left alone, alone for the first time all day, alone for the last time for a week, I cried. I was on the edge of a chasm though I couldn't see it at the time. All I knew was I was alone, ill and scared.

I found myself searching my mind and heart for something to comfort me. A fragment of a story, a glimpse of a melody. Where had I heard it before? I don't even know. But I found what I was looking for on YouTube (G(!)d(dess) bless the internet!) and listened to it all night.

The Lord is my Shepard, I have all I need,
She makes me lie down in green meadows,
Beside the still waters, She will lead.

She restores my soul, She rights my wrongs,
She leads me in a path of good things,
And fills my heart with songs.

Even though I walk, through a dark and dreary land,
There is nothing that can shake me,
She has said She won't forsake me,
I'm in her hand.

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The song is Psalm 23rd, Dedicated to My Mother written by Bobby McFerrin and performed by the choral group Cantus. I've never been much of a Bible reader and the imagery of god as a shepherd has never resonated with me. God as a tall, thin, bearded man with a white robe and a shepherd's crook reeks of watered down bible stories for children and patriarchy. C.S. Lewis reminds us, though, that we don't have to understand how something works to know that it does, whether that thing is a good meal or redemption in Christ. I don't know how these words, words that may or may not describe how I view the Divine, came to make themselves known to me that night. I certainly do not know how they soothed my very being in that dark and dreary land of the OHSU emergency room but I do know that they did.


This was written for my Quaker Meeting's collective journal, Minding the Light. Check the link for our web presence, and check out all my other posts labeled Minding the Light here. 

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Full Fasting Moon 2012: The Sap Moon

Full Fasting Moon 2011: Of Peacocks, Pride and Park Rangers

Full Fasting Moon 2010: I didn't post a Full Fasting Moon post in 2010, but Spring is Springing is a New Fasting Moon post for that spring.

Full Fasting Moon 2009: Full Moon in the Fasting Moon

Sunday, February 3, 2013

Brigit

February First

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February First has come and gone. I didn't make Red Soup. I didn't go for a walk around the neighborhood. Things are busy and complicated again this spring. But good. Really good.

I offer you a repost of my most favorite story on this blog. The story of Lovely Luz and Sweet Brigit. I originally wrote this in February of 2010 and I still love it. I hope you do too.

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Once upon a time there was a little girl named Luz who lived with her sickly mother in a small cabin near the woods. Her mother had been weak for a long time and Luz had to take care of herself and her mother. Luz cleaned the houses of other families in their village, collected firewood and tended a small flock of chickens and two pretty nanny goats in the yard behind the cabin, so there was always something to put on the table but never much extra.

In the autumn, as the leaves were falling and the days were getting shorter, Luz’s mother helped her light a candle in a little glass lantern. Her mother was able to come to the door and watch Luz as she paraded around the yard singing songs to the nanny goats and chickens. “Remember,” her mother said “as the light of the sun fades in the autumn, we can keep the light in our lantern through the winter.”


Photo by calynde
Winter was always hard for Luz and her mother. The days were cold and snowy but Luz needed to go out most days to collect more firewood. The nanny goats stopped giving milk and eventually even the chickens stopped laying eggs, but the cold left Luz and her mother hungry for those nourishing foods. There was one wonderful thing that happened in the winter, though. Every evening, after the wood had been stacked by the fireplace and the chickens had been shut in their coops, the goats had been given fresh hay and the dinner dishes washed and put away, Luz’s mother would tell her stories about the beautiful Goddess Brigit. Brigit was always good to the poor and people who were like her always had good things happen to them.

One day just before Christmas, Luz was out along the edge of the forest by her cabin collecting firewood. She had a good armload and was about to turn back seeing as it was getting dark when she saw a man huddled around a tiny campfire. Despite the cold air he was dressed in rags, working hard to warm his fingers which were turning blue. Luz remembered the story her mother told the night before where Brigit gave away a precious silver necklace to a poor woman in need. Brigit’s sisters were angry, but the next day they found a sliver necklace to replace the one given away. Well, Luz thought, whether she found another pile of wood or not, this man needs my firewood, as well as the hardboiled egg and small wedge of cheese my mother sent with me, more than I do.

“Here you go, sir.” Said Luz, setting her gifts down near him. “I don’t have much, but you need it more.”

“Thank you, child.” He said. “I am almost home, and your gifts and kindness will warm me until I get there. Bless you, child, bless you.”

Luz hurried home, for it was getting dark, but just as she reached the path back to her own cabin she came across a large pile of dry, good firewood. She picked it up and hurried home.

“Oh mama!” she cried. “I left the wood I had gathered with a poor man near the forest, but look! There’s a pile of dry, good firewood here!”

“What a lovely girl you are, Luz.” Her mother said. “Just like Brigit you give more than what you can spare. But look, Brigit left this wood for you as a gift. Those who keep the sun’s light strong and care for others are always taken care of.”

A few weeks later a neighbor had taken Luz’s mother on a visit to a friend’s house in the village and Luz was home alone, tending the chickens and nanny goats. Luz went out and collected the last few eggs the chickens would lay that winter and went inside to make a small lunch for herself. Just then an old woman walked up the path by their house and asked if Luz had any bread to spare. The woman looked like she needed more than just a slice of bread to get her home and Luz remembered the story of the old woman who gave Brigit shelter one cold night. The woman tore down a piece of her house and killed her only calf to feed and warm Brigit, but in the morning her cow had another calf and her house was whole and warm. Well, thought, Luz, I don’t have to tear down our cabin to give this woman a warm lunch so she invited her in.

Luz prepared the last of the eggs with the last of the goat milk and a few slices of bread to make a warm meal for the woman, and let her sit by the warm fire for as long as she needed.

“Thank you, child.” she said. “I am on my way to visit my daughter, and your gifts and kindness will warm me until I get there. Bless you, child, bless you.”

When Luz’s mother came home Luz rushed to find the last food in the cupboard to make her dinner, but instead of a crust of bread she found a full egg basket and two whole wheels of cheese.

“Oh mama!” she cried. “I fed a poor woman the last of our eggs this afternoon, but look! There’s a dozen eggs here!”

“What a lovely girl you are, Luz.” Her mother said. “Just like Brigit you give more than what you can spare. But look, Brigit left those eggs for you as a gift. Those who keep the sun’s light strong and care for others are always taken care of.”

Late in the winter, after Christmas but while the days are still dark and cold Luz’s mother, who had always been weak, got terribly sick. Luz was so worried, especially when her mother couldn’t even get out of bed. She kept her mother warm and the fire strong, and prayed to Brigit for help.
After three nights of this, when it felt like winter will never end and her mother would never be well, Luz fell asleep by the fire. She dreamed she heard an old woman walking by the window of their little cabin chanting.

Moving rightways with the sun
My blessings weave and bend
Weave and bend

All winter you did keep the light
Spring blessing soon will rise
Soon will rise

Luz rose from her seat by the fire and wrapped her shawl around her shoulders. She grabbed her Martinmas lantern and headed out to follow the sound. Ahead of her she saw a woman dressed all in black, with hair white as the snow and a face dark like old wood walking slowly through the woods. Luz followed her quietly, sure the old woman must know she’s there, but the old woman never turned around or stopped chanting. She just kept walking into the woods. Luz followed the woman further into the woods than she had ever been before but she wasn’t afraid, the old woman seemed to have a light and warmth that made Luz feel safe.

Moving rightways with the sun
My blessings weave and bend
Weave and bend

All winter you did keep the light
Spring blessing soon will rise
Soon will rise

Eventually, as the sky started to lighten in the east, the old woman, with Luz following behind, came to a clearing with an old stone well in it. The old woman stood by the well and finally spoke, “Come closer child. Do you know who I am?” Luz shook her head, too afraid to say what she knew must be true.

“I know I don’t look like the beautiful woman in the stories your mother tells you, but I am her, I am Brigit. This night is my night, this morning my dawn. You carry with you the light you have nurtured all winter with good deeds and warm stories. Because you have done so well at caring for that light through the long dark winter you may have a wish. What do you wish for, child?”

“I wish for my Mother to be well again.. and.. and for this winter to be over! I am so sick of it being cold all the time.”

Brigit laughed, “Granted one wish and you ask for two. No matter, it can be arranged.”

Just then, the first morning bird sang out, and the first ray of dawn’s light broke over the horizon. The old crone Brigit pulled the bucket out of the well, dipped her hands into the cold, clear water, and splashed her face. Her robes instantly turned to red, and her hair to a speckled grey and black, and her face to that of a matronly woman of middle age. In just another moment, the disk of the sun broke above the horizon, spilling full sunlight into the clearing with the well. The mother Brigit dipped her hands into the bucket again, and once more splashed a handful of water onto her face. In the blink of an eye her robes turned to pure white, her hair to a deep auburn red and her face fair as that of a young maiden.

“Come, bring your lamp here,” said the maiden Brigit and Luz did as she was asked. Brigit took the lantern from her hands and blew the candle out, but the light didn’t go away. It seemed to Luz that the light from the candle, instead of being kept inside the small lantern, spread throughout the whole forest. The morning dew sparkled on swelling buds and the sun seemed even brighter than it had been the day before. The snow was still deep and the air cold, but Luz could tell spring would be on its way soon.

The maiden Brigit pulled a small tin cup out of her cloak and filled it with water from the well. “Take this to your Mother and have her drink it. She will be well soon, and spring is on its way. Keep my memory alive, Luz, tell stories about my good deeds and live them out in your own life. Blessed be.”
Luz took the cup and her lantern and hurried home, as quickly as she could, but careful to not spill a drop of the precious water Brigit pulled from the sacred well.

“Oh mama!” she cried, when she got home. “I met sweet Brigit at the well and she gave me this magic water to make you well! Oh, mama! You will be well again!”

“What a lovely girl you are, Luz.” Her mother said. “Brigit found you who are so like herself and has blessed us all. Those who keep the sun’s light strong and care for others are always taken care of.”

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February First 2009: February the First

February First 2010: Lovely Luz and Sweet Bridgit
This happens to be my all time favorite post from all two plus years of blogging. Please go check it out. 

Feburary First 2011: Brigid - The Goddess of Poetry

February First 2012: Brigid's Red Soup and Magic

Tuesday, December 18, 2012

The PB&J Mix

New Birth Moon

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I'm incubating. The new year is coming, my new plan, my new gwish. It is dark, it is wet and I'm not doing too much but thinking. And listening to music. 

"Now, the making of a good compilation tape is a very subtle art. Many do's and don'ts. First of all you're using someone else's poetry to express how you feel. This is a delicate thing."

Here's my Winter PB & J  mix tape. That stands for power, beauty and joy... or peanut butter and jelly. Both make me smile.  Enjoy!

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I recently discovered this amazing musician, John D Boswell, who is using auto tune software to turn spoken audio clips into songs. He takes the words of well known scientists like Carl Sagan, Neil deGrasse Tyson, Stephen Hawkings and David Attenborough and sets them to music creating inspirational and beautiful music. This one is possibly my favorite, featuring Neil deGrasse Tyson reminding us that "we are part of this universe, we are in this universe, the universe is in us."

Before he died in 2002 Dave Carter collaborated with Tracy Grammer to produce three albums of folk singer songwriter music that are often called Buddhist Cowboy music. His mystical experiences and study of psychology, myth and mysticism show clearly in his music. I heard it said that no one could fit more words into a song than Dave Carter and this song is an excellent example of all of that. "I walk the occam razor way through priests and circus clowns. Am I a missoner of faith or grace or vision or another grinning prisoner of Happytown?"

The guy who did Symphony of Science has turned his talents to turning other celebrities to rock stars with his Remixes for the Soul compilation. This one stars Bob Ross from the PBS show Joy of Painting and makes my heart sing. Anyone who has ever watched an episode of the show has seen just how full of love and encouragment Bob Ross is and how it radiates through the TV screen right at you. It feels like spending an hour with a beatific nun or the Dalai Lama, only with painting instead. "You can almost paint with anything, all you have to do is practice. There are no limits here, start out by believing here." Thanks Bob Ross, I will believe! 

The first time I heard this song was at Winterfest, a folk benefit for Sisters of the Road Cafe, in maybe 2001 or 2002. I cried as Dave and Tracy performed it on stage at the Aladdin. It has remained an important song ever since... "On a sleepy endless ocean when the world lay in a dream, There was rhythm in the splash and roll, but not a voice to sing. So the moon shone on the breakers and the morning warmed the waves, till a single cell did jump and hum for joy as though to say...  This is my home! This is my only home. This is the only sacred ground that I have ever known. Should I stray in th dark night alone Rock me goddess in the gentle arms of Eden.

Featuring Richard Feynman on the bongos, Bill Nye thinking about the vast emptiness of space, Carl Sagan waxing poetic about star stuff and Neil deGrasse Tyson's statement that "we are all connected; To each other, biologically, to the earth, chemically. To the rest of the universe atomically." One of the most popular Symphony of Science videos for a reason. 

The apartment I lived in for three years in college was called Shelter from the Storm. "Not a word was spoke between us there was little risk involved, everything up to that point had been left unresolved. Try imagining a place where it's always safe and warm, "Come in" she said "I'll give you shelter from the storm" The link above is to the album version that I love most, but this live performance is amazing. Harder, harsher, but Dylan at his best.

I first knew Ladysmith Black Mambazo from their work with Paul Simon on Graceland. This version of Cat Stevens' song combines their haunting harmonic style with Dolly's clear voice and makes me just wanna get on that train. Check out Ladysmith Black Mambazo's Amazing Grace.


Possibly my very favorite of the Symphony of Science tracks. "There is a powerful recognition that stirs within us, when we see our own little blue ocean planet in the skies of other worlds... onward to the edge, we're moving onward to the edge. Here we are together on this fragile little world."

A truly pronoic tale of adventure, trial and redemption. The road goes on forever, and the party never ends. I like the Joe Ely version above best, but here's another one with Joe featuring Joel Guzman (who makes the accoridan seem like the sexiest instrument ever), here's one by Robert Earl Keen - the guy who wrote the song, and here's the Highwaymen's version (ya know, Johnny Cash, Willie Nelson, Kris Kristofferson, Waylon Jennings, et al). It's a good song.

A truly unironic celebration of the simple pleasures in life - a new truck, the moon and stars, a campfire and a pretty lady. It makes me smile. 

When I was in high school I was bona fide obsessed with U2. I listened to the Achtung Baby cassette tape on my Walkman on the bus to school, during passing periods, spent the afternoon watching the concert footage on VHS tape and fell asleep listening to the tape again. Some U2 songs send me into that weird place you find yourself when you look at your high school year book, awkward and embarrassed and emotional. This song, though, has stood the test of time and is still in regular rotation.  

When this came on at the bar the other night, my friend said "I feel like I only hear this song at Goodwill." I said, he isn't living life right then. "Some will win, some will lose. Some were born to sing the blues. Oh, the movie never ends it goes on and on and on and on..... don't stop believing. HOLD ON TO THAT FIEEELLAAAYING!"

I think it is curious that I chose to end my PB and J mix with such an intense song. It is sad, yes, but not dark. It brings tears to my eyes, but not always tears of grief. In August of 2003 I watched a full moon ruse over the Oakland Hills as Bruce entreated us to rise up. In November of that same year I visited St. Paul's Chapel in lower Manhattan and cried as the words ran through my head... my city of ruins. I sang this song to my puppy years later, the emotions still fresh but her wagging tail and excited cuddling adding a new layer of association. And of course, any Bruce is all mixed up with my dad, an "it's complicated" relationship if there ever was one. But the take home message is not one of sadness, it is the pronoic belief that every experience allows you to grow, even the painful, terrible and horrific ones. "With these hands, lord, with these hands, I pray for the strength... I pray for your love, lord, with these hands."

What are you listening to in this dark time of the year? What plans are you making, what are you incubating? What PB&J is rocking your world? The photos are images from the Hubble Telescope turned into holiday cards. View all of them at Hubblesite.org  and download your own for spreading holiday PB&J. Blessed winter! 

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New Birth Moon 2008: Waiting

New Birth Moon 2009: Advent, Awaiting the Birth

New Birth Moon 2010: Winter is Dark, Yet Each Tiny Spark


New Birth Moon 2011: Wolves at the Gate

Saturday, December 1, 2012

City and Sky Advent

This is a special note to let you know about my other writing project for the month of December. I am making an online Advent calendar of sorts and publishing a short piece every day this month. My regular readers here will probably not be too shocked at what they find - Pagan Quaker Hippy Scientist Nerdilicious goodness. I hope you will stop by and check it out!

http://cityandskyadvent.blogspot.com


Winter

Sunday, July 15, 2012

Nothing But Good Can Come of This

Mothers Moon

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The Story of the Lost Son
Then he said, "There was once a man who had two sons. The younger said to his father, 'Father, I want right now what's coming to me.'
"So the father divided the property between them. It wasn't long before the younger son packed his bags and left for a distant country. There, undisciplined and dissipated, he wasted everything he had. After he had gone through all his money, there was a bad famine all through that country and he began to hurt. He signed on with a citizen there who assigned him to his fields to slop the pigs. He was so hungry he would have eaten the corncobs in the pig slop, but no one would give him any.

"That brought him to his senses. He said, 'All those farmhands working for my father sit down to three meals a day, and here I am starving to death. I'm going back to my father. I'll say to him, Father, I've sinned against God, I've sinned before you; I don't deserve to be called your son. Take me on as a hired hand.' He got right up and went home to his father.

"When he was still a long way off, his father saw him. His heart pounding, he ran out, embraced him, and kissed him. The son started his speech: 'Father, I've sinned against God, I've sinned before you; I don't deserve to be called your son ever again.'

 "But the father wasn't listening. He was calling to the servants, 'Quick. Bring a clean set of clothes and dress him. Put the family ring on his finger and sandals on his feet. Then get a grain-fed heifer and roast it. We're going to feast! We're going to have a wonderful time! My son is here—given up for dead and now alive! Given up for lost and now found!' And they began to have a wonderful time.

 "All this time his older son was out in the field. When the day's work was done he came in. As he approached the house, he heard the music and dancing. Calling over one of the houseboys, he asked what was going on. He told him, 'Your brother came home. Your father has ordered a feast—barbecued beef!—because he has him home safe and sound.'

 "The older brother stalked off in an angry sulk and refused to join in. His father came out and tried to talk to him, but he wouldn't listen. The son said, 'Look how many years I've stayed here serving you, never giving you one moment of grief, but have you ever thrown a party for me and my friends? Then this son of yours who has thrown away your money on whores shows up and you go all out with a feast!'

"His father said, 'Son, you don't understand. You're with me all the time, and everything that is mine is yours—but this is a wonderful time, and we had to celebrate. This brother of yours was dead, and he's alive! He was lost, and he's found!'"

Luke 15:11-32 from The Message Bible

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 I've never been terribly fond of this story. I never understood why the brother who stayed wasn't celebrated while the brother who left got a party. It seemed so unfair. The light of the Mothers Moon this summer
 has allowed me to see the story, the Father's actions, in a different way. In the way of motherlove.

The Mothers Moon reminds us that we are all worthy of love not based on what we do or believe or say, but based simply on the fact that we exist. We are the Mother's beloved child and she will love us no matter what we do or don't do. The Father in the parable of the Prodigal Son loves the boy who left and came back just as much as he loves the son who stayed. Both are beloved sons, both are deserving of barbecues and dancing. Neither deserve punishment or chastisement.

I think in the past I have always identified with the son who stayed. Of course I was the child who who played by the rules, didn't strike off on my own, didn't do dumb or silly things. Worked hard, played it safe. No one would ever have to throw a party for me when I returned, because I would never leave. This spring, however, I have done some "leaving". I like to think that I have been splashing around in the shallows of hedonism for a couple months. I have felt far from some aspects of my spirituality, 
especially my contemplative practices,  but I have never felt far from the spirit of god. I have felt a bit like the kids I took to the beach last week; they ran and screamed and poked dead things and climbed on things while I watched from the sidelines. They might have gotten hurt, but that is part of growing up. I might have gotten hurt or distracted as I splashed around in all this emotional and physical muck, but the Goddess is near by to comfort me when I scrape my knee or bang my head.  She loves me no matter what I do, or don't do.

The epiphany that came right around the full moon of the Mother's Moon rang so true with pronoic motherlove energy: Nothing but good can come of this. She loves me no matter how prodigal I am. 

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Mother's Moon 2011: Freedom, July and Krishna and the Gopis


Mother's Moon 2009: Gifts from the Mother

Wednesday, May 2, 2012

The Dauntless Youth of the Year

 May Day

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Ode in May
 
What is so sweet and dear
As a prosperous morn in May,
The confident prime of the day,
And the dauntless youth of the year,
When nothing that asks for bliss,
Asking aright, is denied,
And half of the world a bridegroom is,
And half of the world a bride?

-William Watson, 1880

May Day by Nick Smarto


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May Day 2010: Glory Days

May Day 2009:  May Day

Friday, April 6, 2012

The Seed Moon


New Seed Moon 
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Oy, it's almost the full moon and I haven't written the New Seed Moon post. The energies have shifted, though, and I want to do a Full Moon Feast themed post this month. So, we move on.

Seed by The Yes Man

Spring is rocking and rolling in Portland, Oregon this week. The fruit trees have blossomed and some are even past their full flush. The streets are starting to look sprinkled with cherry and apple blossom petals. My morning activities are coinciding with the dawn chorus and that combined with the smell of flowers and wet earth can be overwhelming at 6am. There are even some robins who are singing all through the day and night, practicing, wooing, setting up camp for their ladies in waiting who are arriving. Trails in the parks are full of banana slugs, trilliums, wild lilies and so much more life just shooting out of the ground. The weather is still fluctuating back and forth between cold and wet, sunny and dry, icy and warm sometimes within mere minutes of each other. One of the wettest Marches on record has record has caused a number of trees to fall in my parks, but it has also caused some amazing sky shows. I was treated to some awesome wave form clouds over Mt. Hood the other morning at sunrise. Spring really is glorious!

Turkish Fig by Amanda Rudkin

The Seed Moon points us towards the things in our life, and in Life in general, that are contained as potential. Plant seeds and animal eggs contain all the information to become a fully formed organism, but are currently just the potential of that form. Seeds practically hum with their potential, and just like spring is humming now. Images that come to mind include the shuddering movement of time lapse video of frog eggs, the peeping of chicks as they hatch, the magical transformation of seeds to sprouts. Other images, more human, are evoked too of the sticky, bursting, shuddering lovemaking of new lovers. Spring is a time of potential, of what will grow but is only yet a sparkle in The Goddess' eye.

What is bursting, growing, springing to life around you? What seeds are still dormant, but will grow into something full and beautiful soon? What signs of spring are showing up in your neighborhood?

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New Seed Moon 2011: Johnny Appleseed (one of my all time favorite posts!)

New Seed Moon 2010: To Everything there is a Season

New Seed Moon 2009: The Seed Moon Is New (which includes one of my favorite poems of all time, Horses in the Spring by Connie Wanek)

Saturday, February 11, 2012

Magic

February First

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If you are a dreamer, come in,
If you are a dreamer, a wisher, a liar,
A hope-er, a pray-er, a magic bean buyer...
If you're a pretender, come sit by my fire
For we have some flax-golden tales to spin.
Come in!
Come in!

It is that time of year again, the subtley sparkley days in late winter when the first hints of spring start showing themselves. The days are getting longer a couple minutes at a time and some very adventurous plants are even starting to sprout or bud. There's a bit of a pinkish and greenish tinge to the world, rather than just January grey.

Aurora Borealis in Alaska by well_lucio
The holy day marking this point in the wheel of the year is is February First, also known as Brigid, or Candlemas, Imbolc or Groundhog Day. Brigid was a goddess in Ireland before she became the Christian saint and in both (or all?) of her aspects she is the patron of blacksmithing, weaving, healing, poetry and prophecy. At first, these seem like a strange jumble of things and activities to preside over, but a second look shows something in common - these are all elements of magic. Prophecy and poetry are the magic of turning words from nonsense into meaning, healing is the magic of turning illness into health and weaving and blacksmithing are the magic of turning raw materials into useful objects. In a pre industrial world, blacksmithing was just as much magic as healing and both were at least as important as prophecy.

But I don't live in a pre industrial world. In fact, I live in a post industrial, post modernist, 21st century world where even the word magic is a bit dirty, provincial or naive. Materialists insist that everything that happens has a material cause. Perhaps things look magical, but we just havent' seen the cause. Christians know that something non-material can be a cause of material things, but they dismiss magic as either occult or prideful. Dabbling in magic either puts you in league with the devil or full of pride, thinking that you can do something beyond or outside of god's will. I am not a materialist, or a Christian, though, and so I wonder... what do I think about magic?

As you know, I'm a fan of young adult fantasy and other science fiction. Last week I read the first four books in the The Secrets of the Immortal Nicholas Flamel series, one of those "regular kids get sucked into a world where everything they believed to be true is wrong... and have adventures!" kind of books. In these stories, gods and 
Aurora Borealis in Norway by Tor Even Mathiesen
mythological characters are real, some people can become immortal and even more people can awaken to their true abilities and powers, becoming magical. Characters learn magic in all kinds of ways, but the end results are usually of the spectacular, laws-of-physics-do-not-apply-here kind. At one point, the children call the water out of the earth, causing a muddy pool to swallow a particularly scary monster, and in another scene someone tracks people across Paris by the trail their aura leaves behind. At other times, characters cast spells by putting certain runes or symbols in certain patterns, or by combining special potions or words.

I don't really use magic like that. I don't say I don't ever, because, well, sometimes I say a special ritual phrase or choose symbols, images or colors for specific meanings both in my daily life and in my "religious" life of my nature table, bedroom altar or other special events or objects. I certainly played around with these kinds of magical correspondences, rituals and spells as I explored earth based religion in my 20s but have really never gotten deep into working magic. As I developed a much more panentheistic sense of the divine (that god is both omnipresent in the physical universe and also exists beyond it, as opposed to the theism of Christianity of the polytheism of many Pagan theologies) I have really moved away from these kinds of symbolic gestures. A few remain - I have a charm in my car and say a special verse while rubbing it for luck and safety - but the Quaker sensibilities of both being wary 
Aurora Australis from the International Space Station
of outward symbols and of trusting god in all things, have really taken over my spiritual life. 

But I do know that I have power in this world. I do know that I can make things happen the way I want them to happen and that words and symbols have great, great power. Am I rejecting this knowledge by rejecting magik the way it is practiced by wiccans and some other Pagans? Is it the power of prayer and god's omnipotent will that makes these unexplained, magical seeming things happen? I do not believe in a purely material universe, so why not work with the web of energy that I know connects us? Sometimes I think that the answer to that question is a humble one of not being willing to take on that kind of power, and sometimes I think I am ducking a potential responsibility.

Ultimately, the query I am sitting with in regards to magic is this, an adaptation of a query my pastor asked recently; to what extent do we create magic and to what extent do we merely uncover the magic that already exists? But then again, this is the query I sit with about god in general. What is the answer to life, the universe, and everything?  :)

What does magic mean to you? Have you ever worked magic with spells or magical objects? Do you believe that we have a supernatural influence on the workings of the world through our own work or through petition to a diety? Or do you think this is all a bunch of codwollop? Have you ever experienced anything magical?

Magic
Sandra’s seen a leprechaun,
Eddie touched a troll,
Laurie danced with witches once,
Charlie found some goblins gold.
Donald heard a mermaid sing,
Susy spied an elf,
But all the magic I have known
I've had to make myself.

If you didn't know... both poems are from Shel Silverstein in Where the Sidewalk Ends. The photos are of aurora, one of the more blatently magical things I can think of. Click the links below the pictures to be taken to the photographers' Flickr pages and see more of their phenomenal work.

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February First 2009: February the First

February First 2010: Lovely Luz and Sweet Bridgit
This happens to be my all time favorite post from all two plus years of blogging. Please go check it out. 

Feburary First 2011: Brigid - The Goddess of Poetry

February First 2012: Brigid's Red Soup

Wednesday, January 18, 2012

Playing Games

Birth Moon

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The low winter sun streams through the Douglas fir and cedar branches along the Wildwood Trail. The trail winds along a contour line out in the deep wooded heart of the park and I am alone. Well, almost alone. Around a bend in the trail my comes my dog, running full out, her ears flapping and mud flying out behind her. She skids to a halt in front of me, her doggy face practically grinning as she hops up to touch my hand with her nose, spins and darts off up the trail. I can’t help but laugh.


Tumalo
I laugh out loud, my voice muffled by the ferns and fir tree foliage all around me. I laugh at her silly antics and goofy ways. She’s not a clown of a dog, but her little hop, flapping ears and flying leaps make me crow with laughter. I giggle uncontrollably at her yipping and yowling in her sleep. Is she dreaming about giant squirrels or flying tennis balls? Goddess only knows what goes on in the mind of a dog.

My laugh softens into a chuckle and a grin as I catch sight of a flock of chickadees tumbling their way through a stand of cedar and hemlock trees. The sheer joy she gets out of living her dog life makes me laugh, too. She is never self-conscious about her pleasure at a smelly fence post, at a sunny spot in the lawn or a good chase. She is never anything but herself, without reservation or apology. The chickadees come closer, chipping and chirping at each other, completely oblivious of my presence. They, too, are fully present in their lives, not worrying or pretending. They simply are. One flits from one branch to another, doing a somersault over the new perch, hangs upside down and digs in the needles for bugs. I can’t help but grin.

Me ant Tummy
I heard an interview with Brother Guy Consolmagno, a Jesuit priest and astronomer, recently in which he tells a story about his mother. When he was about 9 years old she played cards with him one rainy Saturday afternoon. They played for hours and she let him win more often than not. Of course, she could have beat him every hand but that wasn’t the point. Playing the game was a way for her to say she loved him and Brother Guy sees exploring God’s created universe as a similar game. He is an astronomer and a mathematician so super novas and equations explaining planetary orbits are the game God plays with him to show his love.

I am a naturalist and a dog person so God plays a slightly different game with me. She shows me how to stop worrying and just be through a muddy Labrador. She shows me how she cares for every being through a flock of chickadees. She shows me that she will light my way with a big bright moon rising over the mountain as I drive home. She shows me that she loves me by making me laugh. 



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I wrote this for my Quaker Meeting's journal, Minding the Light. The querie this season was "When has god made you laugh?" I think this story about my dog, about chickadees and about the games God plays with us fits well with the theme of the Birth Moon. This is a time when the light of the Sun Son is new and feeble, but growing stronger each day. The Goddess watches over that growing light, protecting it, loving it, giving it what it needs to become the Light of The World as the summer waxes. I think she is doing that for all of us, giving us exactly what we need exactly when we need it... be that a muddy dog, a giant full moon or another dark, rainy night. 

You can read past issues of Minding the Light online here. My previous posts written for the journal can be seen by checking out all the posts tagged Minding the Light.


Friday, September 2, 2011

The Book of Nature

New Nesting Moon
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When I was 21 I began observing the moon. I was well versed in the natural history and geology of my environment, but was woefully ignorant of how the sun and the moon cycles worked. Maybe I was inspired by the months on end of clear skies in Southern Oregon or maybe it was my continuing interest in nature based spirituality. Maybe it was God tapping me on the shoulder and pointing her finger at something I should check out. Whatever it was, I faithfully watched the moon for cycle after cycle that year.

What I found amazed me. I was enthralled by the shapes the moon takes, the patterns on its surface and the relationship between the moon and the sun. I watched the moon wax and wane, and also found myself watching the seasons wax and wane. I saw the sunset move up and down the crest of the hills and the angle of light rise and fall with the seasons. I felt how the earth seems to wake up, be full, release its energy and then hibernate as the seasons wax and wane like the moon herself. I kept watching, kept observing month after month, year after year. The rhythms of day, month, season and year started to feel natural and deep, like my own heart beat and breathing.

I have felt God's presence in nature for much longer than I have ever felt it anywhere else. I knew the liturgy of growing plants long before I knew any church liturgy and heard God's voice in song birds and streams long before I heard it in a meeting for worship. Today, my primary language for accessing God is still the language of the living earth and especially of the natural rhythms of the sun and the moon. I see all life moving in these cycles, from the compact and huddled seed in winter, to the shooting growth of spring, the fullness and flowering of summer into the dissipating, conserving, slowing comfort of autumn. Gardens, creative projects, human lives and even civilizations move in these cycles. Breathing into these cycles, living fully in them and allowing them to unfold seems to me to be the best, highest and closest to God way to live my life.

Our culture seems to be an always on, always up, always growing kind of culture. But do you remember what cells that don't stop growing are called? Cancer. Plants that don't stop growing, like kudzu or English Ivy, are choking weeds. Sun that doesn't stop shining creates deserts like the lifeless land of the planet Venus. I feel deep in my bones that cycles of growth and constriction allow a chance for starting over, for assessing the last period of growth and for resting. I know God is in all parts of this cycle. I feel her in the pruning and contracting of autumn just as much as in the growth and light of spring. God is even in the hibernation and death of winter. God, my mother, knows and loves me through all parts of the cycle. God, my father, uses the cycle to encourage me to grow and challenge myself. The book of nature and the book of time are, to me, the fullest and most beautiful books God has written to help me navigate my life. And all I have to do is watch.

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This post was inspired by both my Quaker Meeting's literary journal query for the Autumn and a Rob Breszny horoscope from a couple weeks ago. The query is "How have you experienced god's presence in nature?" (which I chuckled at a bit - I've been writing about that twice a month for three years and still haven't exhausted all I could write about) and the horoscope is below:

Storyteller Clarissa Pinkola Estes loves life's natural rhythms just as they are. She says we can avoid a lot of suffering if we understand how those rhythms work. "The cycles are birth, light, and energy, and then depletion, decline, and death," she told Radiance magazine. In other words, everything thrives and fades, thrives and fades. After each phase of dissipation, new vitality incubates and blooms again. According to my analysis of the astrological omens, Virgo, you are currently going through a period of dwindling and dismantling. The light is dimmer than usual, and the juice is sparser. But already, in the secret depths, a new dispensation is stirring.

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New Nesting Moon 2009: Breathe a Sigh of Relief

New Nesting Moon 2010: Ramadan


My Summer Solstince/Pagan Value's Blogging Month post from this summer is on a similar theme of cycles in nature: Circles, Cycles and Pulses: Pagan Values Blogging Month